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Susan Ruach Photography

  • HOME
  • ABOUT
  • GALLERY INDEX
    • ABSTRACTS
    • NATURE
    • IMPRESSIONS
    • DIGITAL ART
    • INSPIRATION
    • COLLAGES
    • TO BEND WITHOUT BREAKING: SURVIVING DIFFICULT TIMES
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DIGITAL ART

1020720 edit ws.jpg

Seeing

October 17, 2015

Lately I have been pondering why we see what we see.  When I was in college, I went on a canoe trip in the Boundary Waters Canoe Area in northern Minnesota. We would start out on a lake in the morning in our canoes, and the leader would say, "The portage we are headed for is over there to the right at the end of the lake."  I would look and look and couldn't image that there was any way we could get through the woods to the next lake in the area to which he was pointing.  But when we got to the shore, we would see a sign for the portage.  After this happened several times, I asked him how he did it.  He said something like, "Well there are maps and the compass which help, but after you do it for a while, you begin to notice the little differences--a very slight break in the trees, a certain way the shore looks and so on.  You learn how to see the portages."

We learn to see because of what we do, because of our culture, because of needs we have.  Sometimes we see simply because we expect things to be a certain way.  And sometimes we don't see things because we are not expecting them.

I have learned the truth of the oft cited Dorothea Lange quote,  "The camera is an instrument that teaches people how to see without a camera."  Using a camera has taught me to see many different things and in many more ways since I began making images.  I see light and shadows more; I see colors and their interplay differently.  I notice more.  And yet there are things I still miss.  How can I--and perhaps you--be open to seeing more and more deeply?

So what did I see when I took this image?  At the monthly flea market, I saw light switch plates and plates that go around electrical outlets stacked together.  I was drawn to the unusual curly tops and raised shapes.  Later I made an image of an artificial sparkly gold feathery leaf.  In the computer after I got home, I was layering various images together to see how they looked.  I liked the way the feathery leaf looked on top of the switch plate pile perhaps giving it a patina of age.  What do you see in it?


                                                                                       

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Susan Ruach Photography 

Reflections/Blog

My images invite viewers to go beneath the surface, to feel and think more deeply, to wander inside their own souls, and to touch the Mystery.


All images © Susan W. N. Ruach.  All rights reserved.    Copyright Notice  

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Spend a moment looking at this photograph before reading the following paragraphs.  What do you see in it?  What if any meaning does it have for you?  

Naming a photograph is an interesting process.  Names can direct the way viewers see and understand an image and thus be helpful in directing attention to certain elements. Of course sometimes the photographer may want the viewer to view and be moved (or not) by the image through their own eyes exclusively without help from the photographer.

The name of today's image is "Inner Landscape".  For me it reminds me of a peaceful time on sand with a rosy sky in the background, and it speaks of calm and serenity.  Is it an actual beach?  No, I shot it in an antique mall. 

Do you feel differently about it now that you have seen the name and know something of my take on it?  What is in a name anyway?